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Spirituals and the birth of a black entertainment industry /
Spirituals performed by jubilee troupes became a sensation in post-Civil War America. First brought to the stage by choral ensembles like the Fisk Jubilee Singers, spirituals anchored a wide range of late nineteenth-century entertainments, including minstrelsy, variety, and plays by both black and w...
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| Main Author: | |
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| Format: | Book |
| Language: | English |
| Published: |
Urbana :
University of Illinois Press,
[2018]
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| Series: | Music in American life
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| Subjects and Genres: | |
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| 100 | 1 | |a Graham, Sandra J. |q (Sandra Jean), |e author. | |
| 245 | 1 | 0 | |a Spirituals and the birth of a black entertainment industry / |c Sandra Jean Graham. |
| 264 | 1 | |a Urbana : |b University of Illinois Press, |c [2018] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a xvi, 330 pages : |b illustrations, music ; |c 24 cm. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 490 | 1 | |a Music in American life | |
| 504 | |a Includes bibliographical references (pages 301-312) and index. | ||
| 505 | 0 | |a Introduction. -- The folk spiritual. -- Part I. The rise of a jubilee industry -- The Jubilee Singers of Fisk University -- The Fisk concert spiritual -- Innovators, imitators, and a jubilee industry. | |
| 505 | 8 | |a Part II. Spirituals for the masses. -- The minstrel show gets religion -- Commercial spirituals -- Spirituals in Uncle Tom shows, melodramas, and spectacles -- Blurring boundaries between traditional and commercial -- Conclusion: lessons and legacies. | |
| 520 | |a Spirituals performed by jubilee troupes became a sensation in post-Civil War America. First brought to the stage by choral ensembles like the Fisk Jubilee Singers, spirituals anchored a wide range of late nineteenth-century entertainments, including minstrelsy, variety, and plays by both black and white companies. In the first book-length treatment of postbellum spirituals in theatrical entertainments, Sandra Jean Graham mines a trove of resources to chart the spiritual's journey from the private lives of slaves to the concert stage. Graham navigates the conflicting agendas of those who, in adapting spirituals for their own ends, sold conceptions of racial identity to their patrons. In so doing they laid the foundation for a black entertainment industry whose artistic, financial, and cultural practices extended into the twentieth century [Publisher description] | ||
| 541 | 0 | |c gift; |a Sandra Jean Graham; |d 4-26-18 | |
| 590 | |a The Balch Ethnic Studies Collection. | ||
| 590 | |a The Forrest Performing Arts Collection. | ||
| 590 | |a The Pennsylvania Abolition Society Complementary Collection. | ||
| 610 | 2 | 0 | |a Jubilee Singers (Fisk University) |
| 650 | 0 | |a African Americans |x Music |x History and criticism. | |
| 650 | 0 | |a Spirituals (Songs) |z United States |y 19th century |x History and criticism. | |
| 650 | 0 | |a Minstrel shows |z United States |x History |y 19th century. | |
| 650 | 6 | |a Negro spirituals |z États-Unis |y 19e siècle |x Histoire et critique. | |
| 650 | 6 | |a Spectacles de ménestrels (Théâtre américain) |z États-Unis |x Histoire |y 19e siècle. | |
| 650 | 7 | |a MUSIC |x Religious |x Gospel. |2 bisacsh | |
| 650 | 7 | |a RELIGION. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Ethnic Studies |x African American Studies. |2 bisacsh | |
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